Like the explorer-driven Fallout series, Human Revolution's most rewarding bits of narrative are the ones you discover for yourself. You can spend hours hacking into peoples' computers and reading their notes, discovering the tiny messages and subtleties in every e-mail. One of Human Revolution's biggest strengths is its orange-hued world, which is chock-full of little plot lines and secrets to discover.
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If Adam Jensen saw a cat in a tree, he'd stop and ask it how to get to the next mission. We can relate to the main protagonist, he writes, if that protagonist shows his humanity by doing something noble, like stopping to save a cat from a tree. Screenwriter and teacher Blake Snyder, in his book Save the Cat!, writes about the things that films can do to make us care about our heroes. It's only fitting that the game ends without resolving any of these relationships. The only thing anybody ever talks about is what they plan to do next. The attempted buddy-cop dynamic between Jensen and pilot Faridah Malik is all function, no substance. The twisted father-son relationship between Jensen and Sarif is barely explored. But why should we care about somebody who seems to care about nothing? Even when Jensen discovers that ex-lover Megan, once thought dead, is alive and working against him, he maintains the emotional range of a toaster oven, grunting out a few platitudes and then ordering her to escape.
One of the game's underlying themes is the question of whether an augmented human being loses part of his humanity, and at times Jensen seems like nothing more than a sentient robot that the player controls. Why should we care about somebody who seems to care about nothing?Perhaps this was an intentional move by developer Eidos Montreal. Jensen will still fight to save humanity no matter how many civilians he has slaughtered. Jensen will still continue to work for David Sarif no matter how many of the CEO's lies he unravels. The game's plot points and prerendered cut-scenes do not change based on your decisions. You can choose who to kill, how to talk and even the game's entire ending – but your choices never affect Jensen's personality. In many ways, Jensen's actions are shaped by your own, which might be Deus Ex: Human Revolution's biggest problem.
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This is because Deus Ex: Human Revolution's story – a grandiose tale stuffed to the brim with mythological references, hefty moral questions and dystopian predictions – is not very good at making you care about it.ĭeus Ex: Human Revolution, which publisher Square Enix released for Xbox 360, PlayStation 3 and PC this August, spends so much time talking about the nature of humankind that it forgets to show us what makes humankind so great: our relationships with one another. It comes very close to ruining the whole thing. Then there is the narrative, which is the Human Revolution equivalent of a stray drum pounding one split-second slower than every other instrument in the chorus. It is an undeniably gratifying experience. Whether you're gliding along a wall to avoid enemy eyes or capturing electronic nodes to hack a security terminal, every step has its own cadence, like the whole game is one big orchestra and you're conducting the beat. There's a certain rhythm to every action you take in Deus Ex: Human Revolution.
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